About McSpadden Dulcimers

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Lynn McSpadden was studying for the Seminary when his roommate brought in a dulcimer and showed him how to play it. Lynn became fascinated by it and decided to make himself one. He borrowed one from an acquaintance in Leslie, AR made by McKinley Craft of Bath County, KY, to use as a model and made his first dulcimer in 1962. Friends asked him to make them one and that began the development of the McSpadden Mountain Dulcimer. Lynn with his father and brother developed designs and construction methods to allow making large numbers of dulcimers while maintaining the quality. Improvements over the years have led to the current line of models.

The McSpaddens sold the business to Jim and Betty Woods in 2001. Models introduced include the Schnaufer models, the six strings both standard range and baritone, the basses, and the dulci-banjos. At the time of the sale we were building number 42,000 and at this writing we are closing in on number 63500. The Woods sold the business to Tim Grothen in 2020. He introduced the Flatwater dulcimer in November of 2020.  Building lots of dulcimers doesn’t prove much but having those dulcimer being played by satisfied customers does indicate that we know what we are doing and how to serve the dulcimer community.

Many craftsmen have participated in the building of McSpadden dulcimers over the years. Many of those have retired or sadly passed away. However, the traditions continue with five craftsmen who have over 75 years of building experience.  You can place your trust in our instruments and service.

History of the Dulcimer

A Brief History of the Appalachian Dulcimer
David Schnaufer
Adj. Assoc. Professor of Dulcimer
Vanderbilt University, 2003

The dulcet tones and harmonious drones of the Appalachian dulcimer have been an important part of American music for over three hundred years. It is classified as an diatonically fretted “zither” – a “zither” being an instrument with strings stretched across a box from end to end and having no neck as do guitars and violins. Autoharps and hammered dulcimers are also zithers. “Diatonic” means that the instrument plays the eight tones of the major scale: do, re, mi, fa, so, la, ti, do like the white keys of the piano. Though it does not contain all the “chromatic” notes of the twelve tone scale found on pianos and guitars, it can be tuned to harmonize with nearly all Western folk music.

The earliest depiction of this type of instrument is found in a fresco from 1560 in the Church of Rynkeby on the Danish island of Fyn. An angel musician is seen plucking the strings of straight sided zither with her fingers. This beam like form spread throughout northern Europe and it is the Germanic variant called a “Scheitholt” that arrived in America probably in the early eighteenth century. These instruments have two sets of strings – one set to play the melody and the other to provide a continuous drone like a bagpipe. They generally had from eight to ten strings and were either plucked or played with a bow. This type of instrument was common over much of Europe with the exception of the British Isles.

The Appalachian dulcimer was forged in the melting pot of the wagon roads and river routes of the frontier. The Scots and Irish settlers could hear the drone of the pipes in this sturdy and easily constructed zither and the English found it to be an appropriate accompaniment to their ballads and laments. They reduced the number of strings to just three or four, as wire was a precious commodity in the wilderness, and added a raised fingerboard to allow the playing of quick jigs and reels with a plectrum. By reducing the strings the instrument became more adaptable to more types of music within this theater. Unlike other instruments that have a distinct evolution to their present form, the dulcimer is still being reinvented all the time. The shapes and sounds vary widely throughout the region.

The Shenandoah Valley has a tradition of teardrop or boat shaped dulcimers played with a turkey quill for a pick. Kentucky is known for its delicate hourglass shaped three string instrument, and Tennessee is home to a large rectangular dulcimer that was known as a “music box”. West Virginia, with its early German settlers and isolated regions has the most widely variegated traditions. There is also much cross-pollination, with North Carolina dulcimers sharing distinct West Virginia shapes and fretting ideas.

Most of the dulcimers of hundreds years ago were made of poplar which was readily available, easy to work, and not subject to warping with temperature and humidity extremes. Some few were made of walnut, cherry and maple. These woods have been most common in the twentieth century. Though there are a few examples of commercial makers in the late nineteenth century, for the most part dulcimers were made by individuals supplying their families and close neighbors. The settlement schools and folk revivals of the 1930s and 40s kept the dulcimer visible until Jean Ritchie left Viper, Kentucky in the fifties and brought the dulcimer to the world stage with her music and literature. Since the sixties, the Appalachian dulcimer has staked a claim in the American orchestra of rock, pop, jazz, country, blues and classical and is now more popular than ever. Its sweet voice will be heard for centuries to come because it’s the sound of the ground we walk on.

For further reading:

  • Appalachian Dulcimer Traditions; Ralph Lee Smith, Scarecrow Press, 1997
  • The Story of the Dulcimer; Ralph Lee Smith, Crying Creek Publication
  • Play of a Fiddle – Traditional Music, Dance, and Folklore in West Virginia;
  • Gerald Milnes, University Press of Kentucky, 1999
  • All That Is Native and Fine; David Whisnant, University of North
  • Carolina Press, 1983
  • The Dulcimer Book; Jean Ritchie, Oak Publication, 1974
  • Dulcimer People; Jean Ritchie, Oak Publication
  • A Catalogue of Pre Revival Appalachian Dulcimers; L. Allen Smith,
  • University of Missouri Press, 1983
  • Plucked Dulcimers & Zithers; Wim Bosmans, Brussels Musical Instrument
  • Museum, 2001

History of McSpadden

Since we made our first mountain dulcimer in 1962, we have developed the instruments and designs you will find on these pages. Our specialty is the mountain dulcimer; our five full-time craftsmen have over 75 years of experience among them. The experience we have gained gives us the confidence to offer you a high-quality dulcimer at an affordable price, covered by a guarantee you can count on. Because we use our hands at every stage of dulcimer making, you’ll find evidence of careful construction. Because we use modern tools, you can rely on us for consistent quality.
Because we use many time-honored ways of working wood, we build dulcimers rich in tradition as well as up-to-the-minute in technical detailing. If we were to put into two words the reason we make dulcimers, the most likely phrase would be “your pleasure.” We want to know you personally and to see that you find the mountain dulcimer that’s just right for you. On the following pages, we’ll show you what makes our dulcimers unique, and we’ll give you pointers on selecting the model best for you.

At The Dulcimer Shoppe, in Mountain View Arkansas, you’ll find the highest quality, hand crafted mountain dulcimers anywhere. Our dulcimers are played by champion folk music artists in competition and on their recordings, year in and year out. We’re located in the beautiful Ozark Mountains of north central Arkansas, just down the road from the Ozark Folk Center, just north of Mountain View’s famous courthouse square, and just a few miles up the hill from that world famous trout stream, the beautiful White River. Plan your vacation to the Ozarks around your trip to The Dulcimer Shoppe, stop in and visit Blanchard Springs Caverns and the OFC. Take in some of the folk music played nightly on the courthouse square in Mountain View. You’ll be glad you did. Don’t forget to go home with a new McSpadden dulcimer from The Dulcimer Shoppe!